Lyric On Demand

Lyric invites you to explore a variety of free, on-demand content that allows you to enjoy opera's best and brightest from the comfort of your own home. Some programs are available for immediate streaming, and some require registration, but they are each waiting to entertain you and inspire you with beautiful music and HD filming.

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Creating The Factotum

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The Sonata Sessions

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Attila Highlights in Concert: Explore More with Enrique Mazzola

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Celebrating Sir Andrew Davis, from Mozart to Stravinsky

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Rising Stars in Concert

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The Great Verdi Chorus Showdown

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Breaking Down the Score: Attila with Maestro Enrique Mazzola

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Master Classes with Sir Andrew Davis

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Latest videos

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“Ah, mes amis” with Lawrence Brownlee

Start your week on a high note with this stunning performance from “Lawrence Brownlee and Friends: The Next Chapter.” In this clip, Lyric favorite Lawrence Brownlee performs “Ah, mes amis” from Donizetti's The Daughter of the Regiment with pianist Craig Terry. 

Tamara Wilson performs "Ernani, involami…Tutto sprezzo che d’Ernani” from ERNANI

Elvira knows how to make an entrance! In this elaborate Act One cavatina, the fiery heroine sings of her hope that Ernani will save her from the advances of her vile uncle, Silva. When Silva’s wedding presents are offered to her, she ignores them and, in sparkling song, declares that she loves only Ernani.

“In solitaria stanza” with Denis Vélez

In this excerpt from “Sole e Amore,” Ryan Opera Center soprano Denis Vélez performs one of Verdi’s best-known songs, “In solitaria stanza” (“In a lonely room”), with Maestro Enrique Mazzola on piano.

"Suzel, buon dì” (Cherry Duet) with Martin Luther Clark & Denis Vélez

Spring has sprung! In this cheery excerpt from Lyric's 2021 Rising Stars in Concert, tenor Martin Luther Clark (Fritz) and soprano Denis Vélez (Suzel) sing of the beauty of flowers and spring in the Cherry Duet, "Suzel, buon dì," from Mascagni's L'AMICO FRITZ.

Joshua Guerrero performs "Ah! la paterna mano" from Verdi's MACBETH

In this heart-wrenching aria, Macduff (performed here by tenor Joshua Guerrero in his Lyric debut) is wracked with guilt, when he is unable to save his wife and children from Macbeth's reign of terror. Despite his drive for vengeance, Macduff asks that God forgive Macbeth should he escape.

"Vissi d'arte" with Michelle Bradley

In this exquisite Act Two aria from Puccini's Tosca, the glamorous titular diva (sung here by soprano Michelle Bradley in her role debut) contemplates her fate. Forced to make a terrible bargain in order to save her lover's life, Floria Tosca asks God why he has abandoned her in her hour of need.

Will Liverman performs "Peculiar Grace" from Blanchard's Fire Shut Up in My Bones

Based on the best-selling memoir by New York Times columnist Charles M. Blow, Fire Shut Up in My Bones follows young Charles, a boy of "peculiar grace," as he finds his place in the world and heals from childhood trauma. In this excerpt, Ryan Opera Center alumnus Will Liverman performs Charles's Act Two aria with Benjamin Preacely as Char’es-Baby.

"Te Deum" with Fabián Veloz, Lyric Opera of Chicago

Driven by lust and power, the villainous police chief lays his trap for Tosca and her revolutionary lover in this rousing Act One finale. As his henchmen leave the church in pursuit of their prey, Scarpia (sung here by Fabián Veloz in his Lyric debut) revels in his nefarious plot.

 

"Leave it in the Road" from FIRE SHUT UP IN MY BONES

In this show-stopping scene from Act One of Terence Blanchard and Kasi Lemmons's Fire Shut Up in My Bones, Billie (sung here by soprano Latonia Moore) imparts some important life lessons to her youngest son, Char'es-Baby (Benjamin Preacely) as his older self looks on (Will Liverman).

Michelle Bradley and Louisa Muller on Puccini heroines

In this excerpt from Mixing it Up, soprano Michelle Bradley and director Louisa Muller discuss one of Puccini's fiercest heroines: Floria Tosca. Caught in the midst of an impossible situation, Tosca refuses to be a victim. This spring, Ms. Bradley makes her role and Lyric debut as the daring diva. 

Will Liverman and Daniela Candillari on why FIRE SHUT UP IN MY BONES is a great first opera

In this excerpt from Mixing it Up, baritone Will Liverman and conductor Daniela Candillari discuss what makes Terence Blanchard and Kasi Lemmons's Fire Shut Up in My Bones a great first opera.

Terence Blanchard and Will Liverman on Chicago premiere of FIRE SHUT UP IN MY BONES

The Choreography of Blanchard's FIRE SHUT UP IN MY BONES

In this video, associate choreographer Jay Staten discusses co-director and choreographer Camille A. Brown's vision for Fire Shut Up in My Bones. Step inside the rehearsal room to see why it's so important that this story be "told in Black" and see Terence Blanchard and Kasi Lemmons's opera come to life onstage, March 24-April 8.

Russell Thomas performs "E lucevan le stelle" from Puccini's Tosca

In this Act Three aria from Puccini’s Tosca, Mario Cavaradossi (sung here by tenor Russell Thomas) awaits his execution, reflecting on a perfect evening spent under the stars with his true love.

Lyric Opera of Chicago presents Puccini's TOSCA

A diva who has all of Rome at her feet. A woman who takes charge of her life and fights for what she wants. A heroine who is brave and loving, extravagantly emotional, yet utterly irresistible. Floria Tosca is all these things. She’s loved by Mario Cavaradossi, the revolutionary, and lusted after by Baron Scarpia, Rome’s vicious police chief. Puccini’s lushly grand-scale music illuminates these characters, and the entire opera bursts with a theatricality that makes TOSCA a favorite of audiences everywhere.

Michelle Bradley and Louisa Muller on what makes TOSCA special

We are *here* for the girl-power! In this snippet from our latest episode of "Mixing it Up," soprano Michelle Bradley and director Louisa Muller discuss embracing tradition, channeling Maria Callas, and the talented women at the helm of Lyric's TOSCA.

Verdi’s Attila: “O nel fuggente nuvolo” with Tamara Wilson

On a quiet hillside near Attila's camp, Odabella looks to the sky and thinks of her late father and beloved Foresto. In this excerpt from “Attila Highlights in Concert,” soprano Tamara Wilson sings the intimate and introspective aria, “O nel fuggente nuvolo.”

Lyric Opera of Chicago presents Catán's Florencia en el Amazonas

Lyric’s first Spanish-language work to be presented as part of the mainstage opera season, this story about a glamorous diva on a life-changing adventure on the Amazon is suffused by the entrancing allure of magical realism. Florencia Grimaldi, a renowned diva, is engaged to perform at the opera house of Manaus, Brazil. Traveling there by boat, she’s consumed by longing for her long-lost lover, who she hopes will be awaiting her. Florencia and her fellow passengers are all intensely memorable characters, and they’re illuminated by the magnificent, sumptuous romantic music created by a true musical genius — Mexico’s finest opera composer, Daniel Catán.

Ana María Martínez & Gabriella Reyes perform "¡Ya! ¡Quite esa cara!" from Florencia en el Amazonas

In this duet from Act Two of Daniel Catán's Florencia en el Amazonas, Florencia (Ana María Martínez) consoles Rosalba (Gabriella Reyes in her Lyric debut) after her notebook is damaged by the storm. The glamorous diva sees much of herself in the young writer, and advises her to embrace her feelings for Arcadio and use their love to inspire her work.

Ana María Martínez and Jordan de Souza on Florencia en el Amazonas

In this excerpt from "Mixing it Up," title soprano Ana María Martínez discusses Catán's Florencia en el Amazonas with conductor Jordan de Souza. Hear about their individual connections to the piece and see it onstage at Lyric.

Photo: Kyle Flubacker